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Named "a promising young conductor," Christophe Huss (Le Devoir), Francis Choinière is a versatile musician active as a conductor, composer and concert producer. This upcoming season Choinière will conduct nearly 70 concerts, in 20 different concert halls in North America including a debut at Stern Auditorium / Perelman Stage at Carnegie Hall.
Winner of the prestigious Prix Goyer Mécénat Musica 2023 and the Hnatyshyn Foundation’s Christa and Franz-Paul Decker Conducting Fellowship, Choinière has collaborated with some of the world’s top international artists, including engagements with Andrea Bocelli, Sarah Brightman, Ramin Djawadi, Hans Zimmer, Ute Lemper, Patrick Bruel and Mario Pelchat.
Choinière is the Artistic Director and Conductor of the OPCM (Orchestre Philharmonique et Choeur des Mélomanes), successfully programming large choral and symphonic masterworks for the organization. Choinière is also the Principal Conductor and Co-Artistic Director of l'Orchestre FILMharmonique. Choinière is highly engaged in the Canadian music scene. As co-founder and president of GFN Productions, he is passionate about expanding and developing classical music audiences through the presentation of new symphonic programs with film including Fantasia, Star Wars, Titanic, and The Lord of the Rings.
Choiniere has also been featured in a number of recordings for film and albums including, Vivaldi and Piazolla’s Four Seasons, Requiem de Francois Dompierre, Phoneme (Francois Dompierre), Arise (Clann), Noel à l’Opera (Lyrico), Hidden Assets (Michel Corriveau).
In 2022, he worked as assistant conductor at the Canadian Opera Company for a production of Bizet's Carmen with conductor Jacques Lacombe. During the 2020-2021 season, Choinière served as assistant and cover conductor of the National Arts Centre Orchestra under Alexander Shelley.
Choinière completed his Master’s Degree in Conducting at McGill University, studying with Alexis Hauser, and has received many scholarships and prizes during his studies. Choinière has refined his conducting in masterclasses with renowned conductors including Francois Xavier Roth, Yoav Talmi, and Colin Metters.
Sam Champagne
Executive Director
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Sam Champagne is a Canadian tenor and arts administrator with a voice described as having “…impeccable intonation, accurate diction, expression and musicality,” Ludwig Van Montreal. Mr. Champagne is currently performing as one of three members in the classical crossover group LYRICO and has held the position of Executive Director of the Orchestre philharmonique et chœur des mélomanes (OPCM) since 2019.
Formed in 2021, LYRICO’s premiere concert entitled “A Very Operatic Christmas,” was held in front of a packed audience at the Maisonneuve Theatre of Place des arts, and was described as “...a very pleasant moment and which – judging by the applause that rang out, and the final standing ovations – was a resounding kick-off…,” Atuvu.ca. Following their successful premiere, the ensemble went on a tour of Quebec with a new show entitled “The Best of Broadway'' with stops in Quebec City, Gatineau, Sorel-Tracy, and Montreal. In March 2022, the group debuted at the Montreal Symphony House with a performance entitled “An Evening of Dreams.“
Originally from Ottawa, Mr. Champagne began learning piano when he was seven years old and started singing when he was 12. He studied voice at Allegro Music School with Dr. Janet Hamilton, and attended Canterbury High School as a member of the vocal arts program. He received a B.Mus. in voice performance, studying with international tenor John Mac Master, and a minor in music entrepreneurship from McGill University between 2017-2021.
Floydd Ricketts
Associate Chorusmaster
A London, Ontario native, Floydd Ricketts regularly works as a musical director in theatre and in concert, having conducted performances throughout Canada, the US and Europe. He is the artistic director and conductor of Ensemble Noir, a chamber choir in Montreal that specializes in the music of underrepresented communities, especially those from the African diaspora. Floydd is the co-founder of the Greater Toronto Philharmonic Orchestra, and the former conductor of the King Edward Choir, the McGill University Chorus.
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He has been described by his peers as a highly skilled conductor and orchestrator, and has written a number of chamber works for choir and orchestra. He regularly leads workshops on African-American Spiritual performance practice, and recently had the privilege of working with soprano Kathleen Battle in concert as rehearsal conductor on her Underground Railroad tour. Last year he was bestowed the Outstanding Contribution to Theatre Award from the Montreal English Theatre Awards for his work as MD/arranger for Centaur Theatre's production of Choir Boy, and is currently nominated for a Sterling Award for Outstanding Musical Direction for his work on The Color Purple (Citadel/RMTC co-production). Floydd is absolutely delighted to be joining the National Theatre School of Canada’s faculty, alongside some of the most talented theatre professionals, and future stars.
Mary-Elizabeth Brown
Concertmaster
Canadian violinist Mary-Elizabeth Brown enjoys parallel careers as a performer and pedagogue. In concert, she has delighted audiences around the world and earned accolades for her “ability to unfold bittersweet magic” (Rhein Main Presse) and “perfect command of her instrument” (Florsheim Zeitung). In recent seasons, she has appeared as an invited soloist with orchestra more than forty times in Europe, Asia, North and South America, as well as numerous chamber music festivals including Festival Campos do Jordao (Brazil), Mozarteum Uruguay, The White House (USA), the Aldeburgh Festival (UK), Indian River Festival, Elora Festival and Banff Summer Arts Festival (Canada). Her recording of the last 3 Mozart Violin Concerti for Mozart Effect recordings released worldwide in 2017.
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Equally at home as in the first chair, critics have praised Mary-Elizabeth as “superbly confident in her role as leader” (Norfolk Times) and “…an outstanding concertmaster” (El Adelantado, Spain). Over 15 years as a concertmaster, she led nearly 1000 concerts on 4 continents under the direction of some of the most noted conductors of our time including Lorin Maazel, Placido Domingo, Carlos Miguel Prieto, and Vasily Petrenko. She was the solo violinist for the recording of John Burge’s Flanders Fields Reflections that won the 2009 Juno for best composition. Leader posts include Orchestra of the Americas (2006-2008), the Britten-Pears Orchestra (2007-2009), Orchestra London Canada (Assoc. CM, 2006-2015), the award-winning chamber orchestra Sinfonia Toronto (2007-2016), Montreal’s longstanding McGill Chamber Orchestra (2016-2019) and the Ottawa Symphony Orchestra (2017-2020).
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In addition to a rich career as a soloist and concertmaster, she is a sought-after teacher, clinician, adjudicator and speaker in Canada and abroad. Since founding the AVIVA Virtual Young Artist Program (the first web-based pre-college music program in the world) in 2012, she has touched lives around the world, teaching thousands of lessons to students on five continents via webcam, piloting projects aimed at accessibility, and training hundreds of teachers and creative entrepreneurs. She was one of the youngest in history to be named a Teacher of Distinction by the Royal Conservatory (2020).
Mary-Elizabeth is widely recognized as a pioneer in the world of innovation in classical music and technology. She was the lead musician on Canada’s first federally funded project exploring 3D printed string instruments, and her work in developing effective methods for distance music education has been featured in numerous broadcasts and publications including CBC’s “Q,” The Strad Magazine, the Canadian Suzuki Journal, and the American String Teacher.
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Mary-Elizabeth plays on a Giuseppe Gagliano violin, c.1766 (Naples)
Diane Bayard
Orchestral Manager
Artist-educator with a strong interest in historically informed performance, Diane navigates between modern violin, baroque violin, and viola. A passionate chamber musician, she is a founding member of the Quatuor Cobalt and has shared the stage with internationally renowned artists such as the Bozzini Quartet and the Debussy Quartet.
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Recently selected for the International Joseph Joachim Chamber Music Competition in Germany, Quatuor Cobalt was ensemble-in-residence at the Chapelle Historique du Bon-Pasteur for the 2022–2023 season, and collaborating quartet at the Domaine Forget from 2018 to 2022. The ensemble, which notably explores historically informed interpretations on period instruments, is supported by the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal, the Ministère de la Culture et des Communications du Québec, and the Père-Lindsay Foundation.
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Diane regularly performs as associate concertmaster in various symphony orchestras, including the Orchestre Philharmonique et Chœur des Mélomanes, the Ensemble Classico-Moderne, and the Orchestre FILMHarmonique, with whom she has recorded several albums. She also serves as associate concertmaster of Ensemble Galileo, an orchestra playing on period instruments, and is a frequent guest with Clavecin en concert, Ensemble Caprice, and Arion Baroque Orchestra.
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Among her notable festival appearances, Diane shared the stage with Patrick Watson during the closing concert of the Montreal International Jazz Festival. She has performed with Quatuor Cobalt at the Domaine Forget International Festival and in the "Hors les murs" series of the Lanaudière International Festival.
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An entrepreneur at heart, Diane co-created with Quatuor Cobalt the outdoor concert series Les ruelles musicales, aiming to reach local residents and underserved audiences. Through multidisciplinary performances, she has shared the stage with dancers Axelle Munezero and Sébastien Provencher.
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A graduate of the Conservatoire National Supérieur de Musique et de Danse de Lyon, Diane holds a Certificat d’Aptitude and a Master’s degree in violin pedagogy. Actively involved in promoting culture and education, she served as an instrumental ambassador for the Benedetti Foundation in England. As a founding member of the Unis/sons Collective, Diane also traveled to Haiti in 2018 to share her passion at the Cemuchca Music Institute’s summer academy.
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Diane earned a Master’s degree in Performance from the Schulich School of Music at McGill University, studying under JinJoo Cho, after completing her Bachelor's degree in Performance under Annick Roussin at the Université de Montréal Faculty of Music. She was supported for three years by patron Michel Saucier and received various merit scholarships from the university. She has also studied with Lucie Robert, Paul Kantor, Andrew Wan, Axel Strauss, Jean-François Rivest, and Guillaume Sutre.
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A graduate of the Conservatoire de Lyon under Nathalie Geoffray-Canavesio, Diane also benefited from instruction by Pavel Vernikov, Svetlana Makarova, Marie Charvet, Christophe Poiget, and Jean Lenert. She studied violin in the Paris region with Annick Roussin and Nicolas Miribel, as well as viola with Claire Merlet. Diane developed her orchestral playing at the Orchestre National de Lyon’s youth academy, and through the professional orchestral training program at the Conservatoire de Lyon.
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Diane Bayard plays on an Antonio Gragnani violin from Livorno (1751) and a Victor Fétique bow (c. 1925), both generously loaned by Canimex Inc. in Drummondville, Quebec, Canada.
OPCM TEAM
Administrative Team
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Artistic Director
Francis Choinière
Executive Director
Sam Champagne
Associate Chorusmaster
Floydd Ricketts
Concertmaster
Mary-Elizabeth Brown
Musician Manager
Diane Bayard
Board of Administration 2023-2024
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President
Martin Choinière​
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Vice President
Sarah Kemerer​​
Treasurer
Magdalene Bilhete
Technical Team
Technical Director
Benoit Bilodeau
Photographer
Tam Lan Truong
Publicist
France Gaignard
Choir Manager
Jean Pascal Perreault
Administrators
Lucie Ménard
Alexia Martins
Isabelle Tremblay
Vincent Trépanier